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Evening Programs

Evening Programs offer artists the opportunity to concentrate on skill development in specific areas of realist drawing and painting. Students experience focused study in small, intensive groups led by professional artists. Courses and lectures are conducted at Studio Incamminati’s main studios in Center City, Philadelphia. Evening Program participants and alumni receive invitations to lectures and special events at Studio Incamminati. Each program runs for 12 consecutive weeks, with one extra week for any make-up days. Enrollment is limited to first-come, first-served.

Evening Program participants and alumni also receive invitations to lectures and special events at Studio Incamminati. All are welcome to join Professional Program artists in Open Studio sessions most Sundays from 1–4 p.m.

Fall
2010 Sept. 20 - Dec. 16
Portrait

Painting the Portrait
Kerry Dunn
Mondays, 6 p.m. - 9 p.m.
Sept. 20 - Dec. 6

Tuition $499

A basic painting process - provided and followed in class - gives an ideal platform to further explore universal visual principles. Students analyze the subject of portraiture through the following concepts: shape, value, color, edges, paint handling and the conceptual understanding of light on form.

Students progress from linear drawing to blocking-in, tonal painting and finally to full color painting with poses ranging from 3 hours to 12 hours. Instruction is given at the students' easels and through demonstrations and lectures.

 Kerry Dunn, a instructor at Studio Incamminati, received a 2009 Portrait Society of America Certificate of Excellence. His works have been exhibited in numerous group exhibitions and hang in numerous collections.

Print a registration form, or register over the phone with a VISA or Mastercard by calling 215-592-7910.
Print a supply list.

Fundamentals

Drawing and Painting Fundamentals
Robin Frey
Tuesdays, 6 p.m. - 9 p.m.
Sept. 21 - Dec. 7

Tuition $499

Experience the progressive study of Studio Incamminati’s full time Professional Program in a part time continuing class ideal for students interested in tackling the key concepts at their own pace.
This introductory program, is designed to move past the time constraints of a traditional term, and is suitable for beginners, intermediate and advanced artists interested in working in the Incamminati methodology. Students will begin the course working in charcoal and when they become proficient in the skill can progress in future 12 week sessions to grisaille and eventually full color from the live figure.

Studio Incamminati instructor Robin Dawn Frey received the 2008 Portrait Society of America Award of Honor. Her work has been displayed at numerous shows and in private collections.

Print a registration form, or register by phone with a VISA or Mastercard by calling 215-592-7910.
Print a supply list.

Perspective

Linear Perspective
Patrick Connors
Wednesdays, 6 p.m. - 8 p.m.
Sept. 22 - Nov. 10 (eight weeks)

Tuition $340

This 8–week course is an introduction to linear perspective and will cover the essentials of perspective: including one–, two– and three–point perspective; and circles in perspective. Exercises include projecting a skull in two–point perspective, still life, and figure drawing. The principles presented in this workshop provide a means from which the artist may improve independently in other classes or in his or her own work. Classes are limited to 12 students.

Patrick Connors is a practicing painter in Philadelphia and instructor at art institutions including The New York Academy of Art, The Grand Central Academy of Art, The Pennsylvania Academy of the Fine Arts, and Studio Incamminati. For more information: www.connorsfinearts.com/.

Print a registration form, or register by phone with a VISA or Mastercard by calling 215-592-7910.
Print a supply list.

Color

Color Studies: Still Life and Figure
Ja Fang Lu
Thursdays, 6 p.m. - 9 p.m.
Sept. 23 - Dec. 16
(no class Thanksgiving Day)

Tuition $499

When the impressionists took their paint boxes outside to paint, they discovered that the shadows are not shades of brown and gray as had been painted by their predecessors. In the fleeting sunsets and sunrises, Monet discovered that the same haystack took on different colors and painted it the way he saw it.

At its core, one’s reaction to color is visceral and intuitive. How can one then systematically study and learn the use of color in painting? The best approach is through understanding color relationships. The best way to understand color relationships in the context of painting is through doing series of color studies.

In this class, we’ll discuss the concept, purpose, and process of color study in depth. More importantly students will have the opportunity to do many color studies. Initially, they will work from the same still life set ups together, so as to observe how they each paint the same set up differently and learn from each other. As they understand the process better, they will then move on to setting up their own still life arrangement and working from it. As the class progresses, we will discuss issues such as paint layering and treatment of edge relationships.

Jafang Lu was awarded a Merit Scholarship at the Art Students League of New York. She holds a Bachelors of Art from the City College of New York University.

Print a registration form, or register by phone with a VISA or Mastercard by calling 215-592-7910.
Print a supply list.

Sculpture

Head Structure Sculpture
Amy Kann
Thursdays, 6 p.m. - 9 p.m.
Sept. 23 - Dec. 16
(no class Thanksgiving Day)

Tuition $499

The students will create a life-size head study from a model.
The class will teach head structure and anatomy. Students will study the relationships between the model, anatomy and “abstraction of form.”

A successful method of creating an accurate head study of a model will be taught. This method relies on simplified abstraction of forms initially, understanding the basic bones structure, musculature and the relationships between forms.This method teaches a practical system for artists to understand how a head is constructed and feel confident in their future head studies.

Armatures are required. Do-It-Yourself plans are at Armature Plans. Or, purchase one for $35 by contacting the instructor at amykann@yahoo.com

Amy Kann has won numerous awards and her works have appeared in numerous exhibitions. Her works are included in the permanent collections of the Smithsonian Museum, The British Museum and the National Sculpture Society.

Print a registration form, or register by phone with a VISA or Mastercard by calling 215-592-7910.
Print a supply list.

Public Programs Payment and Refund Policies
Due to limited class space, tuition must be paid in full at time of registration.
A $100 fee is applied for cancellation up to the first class.
No refunds will be issued after the first day of class.